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Tetsuji Takechi
was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in ''noh'', ''kyōgen'' and modern theater. In late 1956 and early 1957 he hosted a popular TV program, ''The Tetsuji Takechi Hour'', which featured his reinterpretations of Japanese stage classics.
In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film ''Daydream'' was the first big-budget, mainstream ''pink film'' released in Japan. After the release of his 1965 film ''Black Snow'', the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore ''pink films'' which dominated Japan's domestic cinema during the 1960s and 1970s. In the later 1960s, Takechi produced three more ''pink films''.
Takechi did not work in film during most of the 1970s. In the 1980s, he remade ''Daydream'' twice, starring actress Kyōko Aizome in both films. The first ''Daydream'' remake (1981) is considered the first theatrical hardcore pornographic film in Japan. Though Takechi is largely unknown in Japan today, he was influential in both the cinema and the theater during his lifetime, and his innovations in kabuki were felt for decades. He also helped shape the future of the ''pink film'' in Japan through his battles against governmental censorship, earning him the titles, "The Father of Pink" and "The Father of Japanese Porn."
==Life and career==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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